Chapter 10

The sun rose over the rolling hills of Greenwich three days later, painting the autumn canopy in shades of gold and amber. But inside the secure estate, the morning brought no peace.
We had stepped out of one nightmare and into another.
The news had been filled with continuous coverage of the "Historic Long Island Tragedy." Aerial footage showed the smoldering stone skeleton of the Moretti estate, yellow police tape crisscrossing the cliffside like spiderwebs. The media called it a devastating gas explosion followed by a turf war between rival factions. Salvatore Valenti was confirmed dead. Several high-profile indictments were quietly dropped as federal agencies scrambled to figure out who now held the keys to the eastern seaboard's underworld.
Dante spent the seventy-two hours following our escape holed up in his new command room, coordinating his remaining network, liquidating vulnerable assets, and converting his empire into untouchable offshore entities.
Teresa sat in the sunroom every afternoon, praying with her rosary beads, her face calm for the first time in her life. The burden of running a mafia family was finally broken.
"You should eat something," Dante said, stepping into the kitchen where I was slicing apples for Sophie.
He looked tired, dark circles bruised beneath his amber eyes, but the presence of the man was as commanding as ever. He wore a crisp gray button-down, sleeves rolled up to his forearms, the bandage on his forehead replaced by a thin, jagged pink scar.
"I'm not hungry," I said, putting the knife down. "Every time I close my eyes, Dante, I see those boot prints leading into the woods."
Dante leaned his hip against the marble island, crossing his arms. "I have thirty men combing every transit hub, hospital, and private airstrip from Boston to Montreal. If Miguel is alive, he's badly burned and critically injured. He has no money, no allies, and the Valentis' surviving crew wants him dead just as much as we do. He can't get close to you here."
"He got through twelve armed guards on Long Island, Dante," I said, my voice breaking slightly. "He watched my daughter sleep for six nights while I was thirty feet away scrubbing silver! You don't know what it feels like to realize that the person you trusted with your soul has turned into a phantom."
Dante stepped forward, closing the distance between us. He didn't hesitate this time. He took both of my trembling hands into his, his grip warm, solid, anchoring me to the earth.
"You aren't a maid in my cottage anymore, Elena," he said, his gaze piercing into mine with absolute certainty. "And you aren't bait. You and Sophie are my family now. Whatever comes out of the dark, it has to go through me first. Do you hear me? Through me."
Looking into his eyes, I realized the terrifying truth: I didn't fear Dante Moretti anymore. In a world full of monsters wearing suits and badges, Dante was the only real protection we had left. The lines between employer and employee had burned to ashes with the mansion; something deeper, raw and unspoken, had taken root between us.
"Thank you," I whispered.
"Mama! Look what I made!"
Sophie's voice broke the heavy silence. She came running into the kitchen, wearing a bright yellow sweater, holding a sheet of white drawing paper high above her head. Bruno trotted happily behind her, his tail wagging, the bandage on his flank nearly healed.
She climbed up onto one of the barstools and proudly slapped the drawing onto the marble counter.
"It's our new house," Sophie declared with a bright smile.
Dante and I leaned over to look.
The drawing was typical for a five-year-old—crayon scribbles showing a big house with a triangular roof, a bright yellow sun, green grass, and four figures holding hands: me in a purple dress, Sophie in yellow, Bruno drawn as an enormous black blob with four stick legs, and Dante standing beside us, drawn with black hair and a big smiling face.
Dante’s chest hitched faintly. A soft, genuine smile crossed his lips—the first true smile I had ever seen on the man's face.
"It's beautiful, monkey," Dante said softly, ruffling her hair. "Best piece of art in the house."
Sophie beamed with pride, grabbing a slice of apple from the cutting board and hopping down from the stool. "Bruno, come on! Let's watch cartoons!"
The dog let out a happy bark and bounded after her into the adjacent family room.
I picked up the drawing, a warm wave of relief washing through my chest. For the first time in three days, I felt like we might actually survive this. That maybe, eventually, Sophie would have a normal life.
I turned the paper over to see if she had written her name on the back.
My breath stopped in my throat.
The mug of tea in my hand slipped, crashing against the hardwood floor, shattering into a dozen pieces, scalding liquid splashing across my shoes.
"Elena?" Dante reacted instantly, stepping over the broken mug, his hands catching my shoulders. "What is it? Did you cut yourself?"
I couldn't speak. My vocal cords were paralyzed. My eyes were glued to the back of the drawing.
There, written in fresh, dark blue ink from a ballpoint pen—not a child's crayon—was a neat, meticulous handwriting I would recognize anywhere on earth.
It was dated *this morning*.
*SHE DRAWS BEAUTIFULLY, ELENA. JUST LIKE HER MOTHER.
TELL DANTE THE CONNECTICUT GATES WERE MUCH EASIER TO CLIMB THAN LONG ISLAND'S.
SEE YOU SOON, MY STAR.*
Beneath the message, pressed into the paper, was a sticky, yellow residue from a piece of butterscotch candy.
Before Dante could grab the paper from my frozen hands, the heavy silence of the sunlit kitchen was shattered.
From the second-floor hallway directly above our heads—right outside Sophie's new bedroom—came the slow, rhythmic sound of knuckles rapping against the glass of the window.
*Tap.*
*Tap.*
*Tap.*
Bruno stopped in his tracks in the living room, spun toward the staircase, and let out a bloodcurdling roar.
May you like
Dante looked up at the ceiling, his hand instantly dropping to the pistol concealed beneath his sweater, his knuckles turning white as ice.
He was already inside.